Keyser gets Eclipse for photo of Brooklyn ‘Cap start

Tom Keyser snapped the picture of Birdrun nearly unseating jockey Rajiv Maragh (Tom Keyser Photo) The National Thoroughbred Racing Association (NTRA), Daily Racing Form and the National Turf Writers and Broadcasters (NTWAB) announced Friday that Tom Keyser of Saratoga Springs, New York, has won the 2012 Media Eclipse Award for Photography for his photo of the start of the Grade 2 Brooklyn Handicap at Belmont Park. The photo appeared on the Daily Racing Form website drf.com on July 12. This is the fourth Eclipse Award for Keyser, who won three while writing for the Baltimore Sun in 1996, 1998 and in 1999 for the Breeders’ Cup Souvenir Magazine. He becomes the first individual to win a Media Eclipse for both writing and photography. Keyser began taking pictures several years ago to help his partner, Barbara Livingston, who is chief photographer for Daily Racing Form and winner of the Photography Eclipse in 1992 and in 2001. Ironically, Livingston earned an honorable mention in this category. “I’m embarrassed winning this because Barbara is the real photographer,” Keyser admitted. “Her photograph of Danny Perlsweig and Lord Avie shows the difference between a professional like her and someone who points a camera and shoots like me.

“I’m sort of dumbfounded,” Keyser said about becoming the first person to win
a Media Eclipse for both writing and photography. “I certainly never aspired to
be a photographer, and if I wasn’t helping Barbara, I wouldn’t be doing
this. All I can say is: It’s funny how the world turns.”

For his winning photo, Keyser stood on the infield platform with his
hand-held camera and captured the six-year-old Birdrun nearly unseating his
rider Rajiv Maragh at the start of the Brooklyn. Maragh’s body is draped over
Birdrun’s head, with the rider’s right leg in the air. In a terrific feat of
athleticism, Maragh recovers and gets back in the saddle to continue the race.

Keyser acknowledged that several other photographers on the stand with him
likely captured a similar image.

“I was there for the finish of the race, but because the Brooklyn was a 1
1/2-mile race, the start happened right in front of us,” Keyser said. “So you
photograph it. Most of those pictures you never use, but you never know when
a jockey might fly off his horse or something.”

The winning photo was taken with a Canon Mark III with a 70-200 lens f2.8.

Keyser commented about working as a photographer after more than 40 years as
a writer, including 10 years covering racing for the Baltimore Sun.

“I never had any idea how hard photographers work, and I don’t think most
reporters do,” Keyser said. “It’s physically demanding — carrying all that
equipment, ducking under rails with cameras draped on your shoulders, kneeling
down countless times to check your remote cameras (placed under the rail aimed
at the finish), and doing it in all kinds of weather. Also, when I was a
reporter, we all got along pretty well. I wouldn’t have suspected how
competitive, horse-racing photography is.”

Honorable mention in the Photography category went to Livingston for her
photograph of a Dan Perlsweig caressing his former champion Lord Avie, which
appeared in “DRF Weekend” and to Chris Alpin, for her portrait of 2011 Eclipse
Award-winning sprinter Amazombie, which appeared in the November edition of Horseplayermagazine.

Judges in the Photography category were Michael Lasky of Lasko Photography;
former Eclipse Award-winning photographer Kim Pratt of Parx Racing and Dan Dry
of Power Creative Photography and official Breeders’ Cup photographer.

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